"Uneasy Collaboration: Miller, Kazan, and After the Fall."
The Arthur Miller Journal. 1.1 (Spring 2006): 49-59.
"The Iceman Cometh in Context: An American Saloon Trilogy." The Eugene O'Neill
Review. 26 (2004): 215-25
"The Thirties:
Public and Private: A Reassessment of Mary McCarthy's The Group." LIT: Literature, Interpretation,
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"Blanche or Stanley? Decisive Moments in Elia Kazan's Streetcar."
Special Issue: Tennessee Williams et Un Tramway Nommé Désir. Coup de Théâtre
19 (December 2003): 196-208.
"Nelson Rodrigues and North
America: A Case Study in Cultural Anthropophagy." Journal of American Drama and Theatre 14 (Spring 2002):
25-34.
"Arendt, Kristeva, and Arthur Miller: Forgiveness
and Promise in After the Fall." PMLA 117.2 (March 2002): 314-16.
"The 'Genius' as Iceman: Eugene O'Neill's Portrayal of Theodore Dreiser."
American Literary Realism 34.2 (Winter 2002): 41-51.
"Brick
Pollitt Agonistes: The Game in 'Three Players of a Summer Game' and Cat on a Hot Tin Roof," The
Southern Quarterly 38.1 (Fall 1999): 36-44.
"'Personality
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1999): 1-10.
Rpt. Contemporary Literary Criticism.
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"Willy Loman: Icon of Business Culture," Michigan Quarterly Review, Special Issue on Arthur Miller
37 (Fall 1998): 755-66.
Rpt. The Essay Connection.
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Rpt. Willy Loman. Bloom's Major Literary Characters Series. Philadelphia:
Chelsea House, 2005. 121-31.
"The Man Who Had
All the Luck: Miller's Answer to The Master Builder," American Drama, Special
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"McTeague's
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17 (1993): 21‑29.
"'The Treachery of Law':
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"Fetishizing the Dynamo: Henry Adams and Eugene O'Neill," Eugene O'Neill
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"Breaking the
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"Interpreting
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3 (1989): 127‑36.
"Howells and the Popular
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issue on Realism and Literary Theory 21 (1989): 21‑34.
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282‑86.
"Beyond the Horizon's Narrative Sentence:
An American Intertext for O'Neill," The Theatre Annual, 41 (1986): 49‑62.
"James's Later Plays, A Reconsideration," Modern Language Studies,
Special Issue on Henry James, 13 (Fall 1983): 86‑96.
"'The
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"O'Neill's Realism: A Structural Approach," Eugene
O'Neill Newsletter, 6 (Summer‑Fall 1983): 3‑6.
"Women, Will and Survival: The Figure in Margaret Drabble's Carpet," The South Atlantic Quarterly,
82 (Winter 1983): 38‑51.
"Laughing Society to Scorn:
The Domestic Farces of William Dean Howells," Studies in American Humor, n. s. 1 (October 1982): 119‑30.
"Wind Like a Bugle: Toward an Understanding of Emily Dickinson's
Poetic Language," Dickinson Studies, 39 (1981): 2‑13.
"A Woman with Weapons: The Victor in Crane's George's Mother," Modern Language Studies,
11 (Spring 1981): 88‑96.
"Emily Dickinson's
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"The Problem of Validity in the Critical Controversy over The Turn of the Screw,"
Research Studies, 47 (September 1979): 191‑201.
"The
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1979): 77‑110.
"The John Hay‑‑William
Dean Howells Relationship as Reflected in Their Letters," (with George Monteiro), Books at Brown, 26 (Fall 1978):
1‑22.
"The Dean Celebrates His Birthday: Two
New Howells Poems", PBSA, 71 (1977): 368‑69.
"'Stoicism,
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